An Appalachian Nativity

Christmas is almost upon us and during the preceding fast this year I've been drawn to the folk sounds of Appalachia. America has real culture, its just been hidden from us.

This beautiful - and really, I mean beautiful - folk carol And The Trees Do Moan is about as soulful as it gets. I don't know who these people are, but holy smokes are they good:

In the valley of Judea,

Cold and wintry blown,

Christ was born one frosty morning,

And the trees do moan.

Darkened skies, and men a-stumbling;

High above there shone One bright star a-moving Eastward,

Where the trees do moan.

Herod and the ruling Romans Stately sat upon the throne,

Sent the soldiers out a-looking,

And the trees do moan,  and the trees do moan.

Mary took her little baby,

Set out all alone;

Down in Egypt land they tarried,

Where the trees do moan.

Jesus then became a carpenter,

Worked with wood and stone;

Nails he drove and cross-arms fashioned,

And the trees do moan.

There one day while in the forest black,

One tree he picked for his own,

A Christmas tree,

an evergreen one,

And the trees do moan, and the trees do moan.

Now I want to say the next one genuinely surprised me - an Appalachian setting of the Byzantine hymn God Is With Us. In the Eastern Orthodox Typikon, the hymn is prescribed for compline during Great Lent, but more to the point - used in both the Nativity and Theophany Vesper services for Christmas. 

I will let the music speak for itself, except to say this is absolutely haunting.

The original text:

God is with us. Understand, all ye nations, and submit yourselves: For
God is with us.
Hear ye, even unto the uttermost ends of the earth: For God is with us.
Submit yourselves, ye mighty ones: For God is with us.
If again ye shall rise up in your might, again shall ye be overthrown:
For God is with us.
If any take counsel together, them shall the Lord destroy: For God is with us.
And the word which ye shall speak shall not abide in you: For God is with us.
For we fear not your terror, neither are we troubled: For God is with us.
But the Lord our God, He it is to Whom we will ascribe holiness, and
Him shall we fear: For God is with us.
And if I put my trust in Him, He shall be my sanctification: For God is with us.
I will set my hope on Him, and through Him shall I be saved: For God is with us.
Lo, I and the children whom God hath given me: For God is with us.
The people that walked in darkness have seen a great light: For God is with us.
And they that dwelt in the land of the shadow of death, on them hath
the light shined: For God is with us.
For unto us a Son is born, unto us a Child is given: For God is with us.
And the government shall be upon His shoulder: For God is with us.
And of His peace there shall be no end: For God is with us.
And his name shall be called the Angel of Great Council: For God is with us.
Wonderful, Counsellor: For God is with us.
The Mighty God, the Highest Power, the Prince of Peace: For God is with us.
The Father of the world to come: For God is with us.
Glory to the Father, and to the Son, and to the Holy Spirit: For God is with us.
Both now and ever, and unto ages of ages. Amen. For God is with us.
God is with us.

Understand, all ye nations, and submit yourselves: For
God is with us.

(If you haven't heard a slavic redaction of the Byzantine chant, another amazing setting from my friends at St Elizabeth convent in Belarus: https://www.youtube.com/watch?v=T7-Ph3lwbcI )

And one more: The World Is Old. Far less of that bluegrass spirit, this is just another example of high culture in a land that gets snubbed unjustly in much of America. Hard to believe, in fact inconceivable when you listen to these voices.

The world is old tonight,

The world is old;

The stars around the fold

Do show their light.

And so they did, and so,

A thousand years ago,

And so will do, my love,

When we lie cold.

The world is still tonight,

The world is still;

The snow on vale and hill

Like wool like white.

And so it did, and so,

A thousand years ago,

And so will do, my love,

When we lie still.

Whether you have come to understand that the Logos is the center of everything yet or not, these are surely carols that will be a balm for the soul.

Underground Americana

Mainstream label music is almost entirely so awful that it drives me to despair to hear most popular music these days - let alone realize it is willingly consumed by anyone. Here I offer three bands that are both a complete "fuck you" to popular music in form and function, but tie into something deep within the American cultural dna that makes them something special:

1 Grave Pilgrim, The Bigotry of Purpose. Raw riffing rock, barked vocals meditating on American and European history (plus other stuff). Tagline: chivalric violence and hideous cruelty. Best rock album of 2023 in my opinion. Best song, Rhiannon's Wake.

Their prior EP Molten Hands Reach West was just as good.

2 Panopticon, ...And Again, into the Light. Bluegrass meets atmospheric black metal on a journey through American geographies, old style anarchist complaints and the trials of life. Austin Lunn, the one man genius behind Panopticon, definitely uses music to exorcise his inner daemons (come to Divine Liturgy my friend to really get them out...). I have a lot of time for this guy. My favorite parts are the gravelly bluegrass ones, like....

Special mention for Panopticon's Kentucky. My forebears were coal miners. 

3 Pan-Amerikan Native Front, Little Turtle's War. Indigenous metal meditating on past battles in the bloody unfolding of the American nation. We probably can stop screwing over natives in this country now.

Also, their split Immortal Ceremonies: someone must have thought "go hard or go home" on that one.

The Turning of Lot's Wife

The Turning of Lot's Wife

Scott Cairns

Genesis 19. 23-26

First of all, she had a name, and she had a history. She was Marah, and long before the breath of death's angel turned her to bitter dust, she had slipped from her mother's womb with remarkable ease, had moved in due time from infancy to womanhood with a manner of grace that came to be the sole blessing of her aging parents. She was beloved.

And like most daughters who are beloved by both a mother and a father, Marah moved about her city with unflinching compassion, tending to the dispossessed as if they were her own. And they became her own. In a city given to all species of excess, there were a great many in agony--abandoned men, abandoned women, abandoned children. Upon these she poured out her substance and her care.

Her first taste of despair was at the directive of the messengers, who announced without apparent sentiment what was to come, and what was to be done. With surprising banality, they stood and spoke. One coughed dryly into his fist and would not meet her eyes. And one took a sip from the cup she offered before he handed it back and the two disappeared into the night.

Unlike her husband--coward and sycophant--the woman remained faithful unto death. For even as the man fled the horrors of a city's conflagration, outrunning Marah and both girls as they all rushed into the desert, the woman stopped. She looked ahead briefly to the flat expanse, seeing her tall daughters, whose strong legs and churning arms were taking them safely to the hills; she saw, farther ahead, the old man whom she had served and comforted for twenty years. In the impossible interval where she stood, Marah saw that she could not turn her back on even one doomed child of the city, but must turn her back instead upon the saved.

Analects 7:6

The Master said, “Set your heart upon the Way, rely upon Virtue, lean upon Goodness, and explore widely in your cultivation of the arts.”

Musk Ox

 Musk Ox is a fantastic instrumental chamber folk project from up in Canada. I recently stumbled on these guys and their guitarist Nathanael Larochette from some collaborations he did with the (now defunct, but often brilliant) Oregon-based post metal/neofolk band Agalloch. Here's a neat documentary on the making of their album Woodfall.

Another cool project is the acoustic spin off that Nathanael did from the last Agalloch album.

His solo stuff is great. Music about trees and such.

Silence, Again

Hesychasm as a path to transcendence

AI not I

The notion that what we call AI is somehow approaching a form on consciousness remains an absurdity: fantastical thinking by people who really ought to spend a minimal amount of time at least reading up on philosophy of mind. Generative AI fits perfectly into John Searle's Chinese Room (the main variation is probability replaces rules, which reflects the one major innovation of NLP over decades).

I don't mean to suggest the technology is not extremely useful - it is, and will become more so. But: reality check.